Hello again ...
... two posts in one day - I'm excelling myself! Actually, it's been lovely finding time to mess about in the craft room. It feels like an indulgence to be able to experiment with paints and inks again, and the Stampendous Creative Palette I mentioned in an earlier post. Here's the results of my playtime.
As you can see I dug out the brayer ... I can't remember when that was last used too ... and for these background pieces I used a selection of ink refills - from Colorbox, Ranger's, Vivid and Rollagraph - all almost as old as Methuselah but still very usable! I tried placing a stencil (Clarity) over the wet inks with mixed success but scoring the inks with the Vicki Boutin Art Wedge, comb and bottle top was more successful.
Next, I tried out acrylic paints, Vicki Boutin (Blue Hawaiian), Maggie Holmes (mint and blue) and Heidi Swapp metallic texture paste (Hot Pink).Love this combination of colours.
For these backgrounds I added a base of some cheap white acrylic, Wilkinson's, which worked very well. As did the more pricey Daler & Rowney cream Simply acrylic. Vicki Boutin's Juicy Pear provided a great pop of bright citrus against the blues and pinks already mentioned.
Finally, the disaster! This is what happens when the phone rings and the card is left down on the painted surface too long. Patches of the card softened and stuck to the drying paint. It's quite textured and looks rather like flock wallpaper. I'm still debating with myself on whether it's at all usable or only fit for the bin.
Next, I plan to use the backgrounds for cards. Immediately!! Well, at least within the next few days. So much better than stashing them away in a box to be forgotten. So, part 2 should follow soon.
Hope you found this resurrection of old crafty tools of interest. It's my shame that they've been languishing in a drawer forgotten and neglected. They deserve better treatment!
Thanks for visiting.
Showing posts with label Clarity stencil. Show all posts
Showing posts with label Clarity stencil. Show all posts
Sunday, 7 April 2019
Friday, 27 January 2017
Cardmaking - Snow Capped Mountain Scene
Morning Everyone
Today I have a card made for the November UKPC Swap. It got forgotten because of our really bad December and only rediscovered today when I was tidying up computer files, moving last year's photos into a 2016 folder.
The challenge for this Swap was to interpret the sketch below.
As you can see the sketch is portrait but inspiration didn't come until I switched it to landscape. I could then see that it was clearly a mountain scene - snow capped mountains in the moonlight, of course!
Since making the card the list of materials has gone missing and, as it could be anywhere now, I'm going to have to rely on my memory - that will be fun :)
Here goes:
The background, a piece that had been tucked away in my stash for a year or so, was made using cling film and Cosmic Shimmer Mists in shades of green, Meadow Lush & Blue Lime, and Rich Gold. Once it was trimmed to size it was embossed using a Textures Distress folder from Crafter's Companion.
The hills were made using kraft card, trimmed to shape, and heat embossed in the style of Stampendous' Fran Seiford's famous Frantage, only I mixed up my own from a variety of powders already in my stash. They were, as far as I can remember, Papermania Seafoam White, Heat It Up! Gold & Silver, Sheena's WOW! Lime light and I added, for even more texture, a scattering of Flower Soft Sage,
The 'moon' was created using a Clarity Circle Dot stencil and Pinflair Silver Buff-It which has a nice gritty texture with a glittery finish. The sentiment is from Clear Impressions' The Wild & Free stamp collection from an issue of Get Stamping.
Also used is in the background is a stamp of house and trees from the Winter Wonderland stamp set, a freebie from Creative Stamping Magazine, Issue 36. For embellishments I simply used some natual twine stapled into the positions suggested on the sketch.
That's all as far as I can remember but I'm sure to have forgotten something. As I said, I did note everything down at the time. It's probably long gone, a casualty of my frequent tidying sessions. That being so, if there is anything I missed that you want to know more about do let me know, I'll do my best to answer any questions.
In the meantime, take care, stay safe and have a great weekend.
Today I have a card made for the November UKPC Swap. It got forgotten because of our really bad December and only rediscovered today when I was tidying up computer files, moving last year's photos into a 2016 folder.
The challenge for this Swap was to interpret the sketch below.
As you can see the sketch is portrait but inspiration didn't come until I switched it to landscape. I could then see that it was clearly a mountain scene - snow capped mountains in the moonlight, of course!
Since making the card the list of materials has gone missing and, as it could be anywhere now, I'm going to have to rely on my memory - that will be fun :)
Here goes:
The background, a piece that had been tucked away in my stash for a year or so, was made using cling film and Cosmic Shimmer Mists in shades of green, Meadow Lush & Blue Lime, and Rich Gold. Once it was trimmed to size it was embossed using a Textures Distress folder from Crafter's Companion.
The hills were made using kraft card, trimmed to shape, and heat embossed in the style of Stampendous' Fran Seiford's famous Frantage, only I mixed up my own from a variety of powders already in my stash. They were, as far as I can remember, Papermania Seafoam White, Heat It Up! Gold & Silver, Sheena's WOW! Lime light and I added, for even more texture, a scattering of Flower Soft Sage,
The 'moon' was created using a Clarity Circle Dot stencil and Pinflair Silver Buff-It which has a nice gritty texture with a glittery finish. The sentiment is from Clear Impressions' The Wild & Free stamp collection from an issue of Get Stamping.
Also used is in the background is a stamp of house and trees from the Winter Wonderland stamp set, a freebie from Creative Stamping Magazine, Issue 36. For embellishments I simply used some natual twine stapled into the positions suggested on the sketch.
That's all as far as I can remember but I'm sure to have forgotten something. As I said, I did note everything down at the time. It's probably long gone, a casualty of my frequent tidying sessions. That being so, if there is anything I missed that you want to know more about do let me know, I'll do my best to answer any questions.
In the meantime, take care, stay safe and have a great weekend.
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